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charcoal and ink
fluid movement
including painting
A 3mm sheet of plexiglas is mounted on a painting stretcher using industrial double sided VHB tape
examining forms
P069 Tracey Adams charcoal and inkThis work captures the emotive qualities of the Scottish landscape through a reductive technique. The artist uses a systematically derived palette, eliminating all brush marks via a subtractive process where paint is often removed. This creates ethereal surfaces that appear luminous, compelling the viewer to focus entirely on the chromatic field and its conceptual depth.
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