Peter Senchuk - Sonatina for flute and piano or flute and ensemble *AMEB Publications 'De la Sonorité' (1934) and

'De la Sonorité' (1934) and 'Mécanisme-Chromatisme' (1927) among others

even if their artistic views differed from his own

All of these were played by the legendary flutist Sheridon Stokes

undoubtedly with the support of Rossini

These exclusive commissioned works and new arrangements are suitable for intermediate level players

Peter Senchuk - Sonatina for flute and piano or flute and ensemble *AMEB Publications 'De la Sonorité' (1934) andSenchuk had long held a desire to venture into the jazz realm in composing, and his new Concertino was the perfect excuse. Though he avoids any use of improvisation, he says he relied heavily on jazz melodic, harmonic, and rhythmic structures. The Concertino opens with a long, free solo, encouraging the artist's individuality, with the ensemble slowly gaining ground as the work progresses.